ShopDreamUp AI ArtDreamUp
Deviation Actions
Literature Text
Show me sloughed off
tramp's back bent
from teeming lovelack
overspent
your credit? Next time
sure as hell
you'll get dirt payment
back as well
as sunken eyelids
underslept and
teeth like tombstones
barely kept.
tramp's back bent
from teeming lovelack
overspent
your credit? Next time
sure as hell
you'll get dirt payment
back as well
as sunken eyelids
underslept and
teeth like tombstones
barely kept.
Literature
OHSHC x Male Reader Ch9
Begin-
When we all arrived at the Music Room I went to speak with Kyoya who seemed to let it slide that I had said we and the twins and I had arrived nearly at the same time. “Does the club have plans this weekend” I asked curious wanting to know why we were summoned on a weekend. “Yes, we’re going on a trip to the beach, it will be all expenses paid though you will be entertaining guests” he informed me. Glancing around the room I realized Haruhi was about as confused as the twins began showing her different swim suits for our trip. It seemed they didn’t get the memo about bringing guests, questioningly I
Literature
Ouran: To Have Loved and Lost
"I just don't see why it has to be like this
" Haruhi mutters, crossing and uncrossing her legs as she sits on the end of the bed watching Kyouya dressing for the cotillion that the Ootori family is attending at Ouran, along with every other prominent family in Bunkyo. "I don't see why I can't come with you."
"I've told you before, Haruhi
" Kyouya is patient with her, but not infinitely so, and he is beginning to lose that patience now. He straightens his tie a bit and glances into the full-length mirror. His appearance is impeccable; black suit, white undershirt, black bowtie, black shoes. Every hair is in place on his head. The
Suggested Collections
if you can
© 2010 - 2024 CookieSensei
Comments17
Join the community to add your comment. Already a deviant? Log In
I like the play of the lines on one another. By that I mean, for example, that "overspent" is both a part of the previous and next line's narratives, but in two distinct ways.